Fresno: Soft-Core Queer Porn Capital?
by Susan Stryker, Director, GLBT Historical Society
"Soft-Core Queer Porn Capital of the Southern Central
Valley" isn't the first slogan that leaps to mind when
you think about Fresno, California -- a small inland
city a couple hundred miles from Los Angeles,
famous for its raisin grapes, underground gardens,
proximity to Yosemite National Park, and little else.
But that's what it was when frustrated novelist
Sanford Aday published risque paperback books there
between 1955 and 1963.
The tortured prose from the inside front cover flap of
Aday's first novel, "Amber Dust" (1952), helps explain why Aday had
more
success as a publisher than a writer: "Tigre Niort, a
novelist, inspired by a girl who knew all the answers
but the one she wanted him to get, comes face to face
with the most powerful man of the state and has to
challenge him for his life." A second novel, "Satan's
Harvest" (1953), treated "life and love along the
Mexican border." Aday produced eight other unpublished
manuscripts and turned to peddling others' work in
1955. He published under three different imprints -- Fabian
Books, Saber Books, and Vega Books -- all from the same
Belmont Avenue location in Fresno.
Paperback books from the '40s, '50s, and '60s fetch
high prices from today's collectors, especially if
they have lurid or outlandish covers or offer
sensationalistic treatments of topics that nowadays
wouldn't merit a halfhearted "harrumph" from a church
lady. Aday's books certainly fit the bill. Milder
titles like Floyd Hynes' "Beach Mavericks" (1958) or Pat
Bunyan's "I Peddle Jazz" (1960) were interspersed with
racier offerings like "Our Flesh Was Cheap" by Eve
Linkletter (1960) and "Camera Bait" by Lora Sela
(1959). A few, like Kip Madigan's "Incest for Rene"
(1960), treated themes that remain taboo even today.
Most of Aday's titles lacked substantial literary
merit and were packaged to appeal to the broadest
possible tastes, but they were nevertheless sincere
attempts at storytelling -- a far cry from pornographic publications
today. The books Aday published
had characters, plots, and locations undoubtedly
drawn from the obscure, small-town lives of the
writers themselves, and as such they have considerable
historical value -- not to mention some interesting,
lighthearted reading opportunities.
All of the books dealt with sexual subject matter, and
a handful were overtly queer. Aday himself was
involved with the Mattachine Society, a pioneering
homosexual rights group founded in 1950. One
queer-themed book by Willi Peters, "Lesbian Twins"
(1960), offers a tour-de-force example of exquisitely
bad writing: "Obedient to Mom's insistence, Hilda
started upstairs to join Jane for a nap. Jealousy
stabbed at Bill's heart as ugly visions multiplied in
his brain." Another, "Gay Detective" (1961), written
under the pseudonym Lou Rand by Gourmet Magazine
columnist Lou Hogan, is actually quite good, and
offers a tightly plotted murder mystery set in San
Francisco just as that city was consolidating its
reputation as the gay Mecca.
Aday's books were deemed obscene in the 1950s. He was
often attacked as a purveyor of smut and vigorously
defended himself against censorship. His efforts on
behalf of freedom of expression made him a cause
celebre for a short while in the 1960s, especially
when he and his partner Wallace de Ortega Maxey
faced federal charges for shipping allegedly obscene
materials through the mail. Their story was
championed in early sexual liberation movement
publications like Sex and Censorship, and drew
support from the American Civil Liberties Union. Aday
and Maxey were eventually tried and convicted in 1963
for shipping Oscar Peck's "Sex Life of a Cop" (1959) to
Grand Rapids, Michigan. Aday was sentenced to
25 years in prison and fined $25,000 -- a
sobering reminder of how repressive our society was
only a few decades ago.
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