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Martin Bauman: Or, a Sure Thing

by David Leavitt


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  • Young Martin Bauman, the central character of David Leavitt's enticing, gossipy, just occasionally catty new novel, makes his name early on when he publishes an "out" short story in an influential weekly magazine known coyly (perhaps too cutely) as "the magazine." A young Mr. Leavitt, you may recall, made his name early on when he published the first "gay" story in The New Yorker.

    Will this bit of insider info matter to the average reader? Will not knowing that formidable writing teacher Stanley Flint is a character akin to legendary real-life teacher/editor Gordon Lish, or that Seamus Holt is a curmudgeonly caricature of the real-life Larry Kramer, or that a cock-sucking walk-on is by a fellow just like Bret Easton Ellis, or that there's a whiff of May Sarton, a hint of George Stambolian, an essence of Jodie Foster, a ghost of Gary Glickman ... Will not "getting" any of these and many more inside riffs and references detract from the experience of Leavitt's latest? Not really.

    Sure, the shading of fact into fiction is amusing, the underpinning of autobiography is absorbing, and there's an intriguing overlay of literary payback in Leavitt's assured rendering of self-important writer wannabes. But the honest pleasure of this reflective romp by the author of Family Dancing, The Lost Language of Cranes, Arkansas, and The Page Turner lies in the grace and flow of Leavitt's prose. He renders a surprisingly emotionally complex story, about a callow writer wallowing in the early 1980s whirl of ego-rife New York publishing, with a clarity that's impressively precise rather than glib and gratuitous. It happens that David Leavitt's own pre-mature success and perceived stumbles (the flap over the late Stephen Spender's cranky assertion that Leavitt "appropriated" his life for the novel While England Sleeps) have often overshadowed his talent; but it happens here that Martin Bauman: Or, a Sure Thing, is a worthwhile, marking-time kind of read from a talented fellow.

    -- Richard Labonté

    Read Lawrence Chua's review of Martin Bauman


     
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